Micrófono con cable
PM-25S | Micrófono Vocal Dinámico Cardioide con Cable y Interruptor ON/OFF
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Diseñado para Voces, Construido para Rendimiento
Phenyx Pro presenta con orgullo la Serie PM de micrófonos vocales con cable, basados en nuestro compromiso con la excelencia en audio en vivo. El PM-25S, un micrófono dinámico cardioide diseñado para una claridad vocal sin concesiones, excepcional rechazo de ruido y durabilidad para el uso en carretera, hereda sin esfuerzo la construcción robusta y la calidad sonora característica de Phenyx Pro. Considéralo la nueva estrella en tu equipo, ¡lista para encender tu escenario con brillo!
Características:
-
Hecho para la Brillantez Vocal
- Una curva de ecualización optimizada aporta graves cálidos y agudos brillantes, resaltando un tono equilibrado, pleno y naturalmente fluido.
- El rango extendido de frecuencias y dinámica ayuda a capturar detalles vocales en todo el espectro, desde matices suaves hasta picos potentes. -
Se Destaca en la Mezcla
- Aísla tu voz con el patrón cardioide, rechazando el ruido ambiental para un audio más limpio y enfocado.
- El filtro de espuma incorporado reduce las explosivas y la sibilancia, resultando en una señal vocal suave y pura. -
Más Fuerte Sin Esfuerzo
- Con una sensibilidad de -50dB y baja impedancia de 260Ω, el PM-25 ofrece una salida potente incluso con ganancia mínima. -
Control Instantáneo a Pedido
- El interruptor de encendido/apagado integrado permite silenciar rápidamente durante discursos, preguntas y respuestas o entregas. -
Calidad en la que Puedes Confiar
- Construcción duradera totalmente metálica para soportar golpes y caídas del uso diario.
- Salida XLR de grado profesional que asegura una transmisión de señal estable y balanceada con mínima interferencia. -
Listo para Usar Completamente
- El cable XLR de 5 metros te brinda mayor flexibilidad en el escenario.
- Mantén los cables ordenados con una correa de gancho y bucle.
- El soporte para micrófono se fija firmemente a soportes estándar.
- Guarda el micrófono en una funda de primera calidad que resiste el polvo y la humedad.
/ Explore the Wired Vocal Mic Series
Tuned for Vocals, Built to Perform
Phenyx Pro proudly presents the PM Series of wired vocal microphones — built on our commitment to live audio excellence. Designed for uncompromising vocal reproduction, exceptional noise rejection, and road-ready durability, the series embodies Phenyx Pro’s legacy of rock-solid build and sound quality. Think of it as the newest star in your toolbox, ready to ignite your stage with brilliance!
Step Into Your Spotlight
Great vocals start with the PM series. Stay crystal-clear with its exceptional noise rejection, and trust its durability for every session. Whether in the studio or on stage, you’re ensured a great performance from the PM series.
Vibrant Vocal Presence
Precise Cardioid/
Supercardioid Pickup
Built-in Foam Filter
Higher Signal Output
Sturdy All-metal Housing
Complete Accessory Set
Vibrant Vocal Presence
Made for Vocal Brilliance
The PM series features an optimized EQ curve that shapes warm, full-bodied lows and naturally bright highs, allowing your voice to come through exactly as it should—rich, authentic, and expressive. With an extended frequency response and dynamic range, the PM series brings out the full character of your voice—from a whisper to a scream. None of your performance is dampened or reduced by the microphone, every subtle nuance is captured perfectly.
Louder Without the Struggle
With a relatively high sensitivity and a low output impedance, the PM series delivers higher output with less gain, making it effortlessly easy to drive. Even when paired with mixers or audio interfaces that offer subpar gain or limited headroom, the microphone ensures a full-bodied, stable sound that won’t let you down.
-50 dB
Sensitivity
260Ω
Output impedance
Precise Cardioid/Supercardioid Pickup
Cuts Through the Mix
On stage, all kinds of sounds fight for attention — your bandmates, your instruments, the crowd. Fortunately, the PM-25/25S helps you focus on your voice with its uniform cardioid pickup, which excels at rejecting background noise. For even tighter control, the PM-26/26S steps it up with a supercardioid pattern that narrows the pickup angle and blocks more side noise — great for loud stages.
Built-in Foam Filter
Bring Back the Pure Sound
In the heat of performance, the built-in foam filter also acts as your silent ally—cutting down breath sounds and pops that naturally occur during close-up or energetic vocals. That means fewer unwanted noises for trouble-free live use.
Sturdy All-metal Housing
Quality You Can Count On
From capsule to handle, the PM series is meticulously constructed with durable all-metal materials, built to weather the bumps, drops, and daily demands of life on the road. Its professional-grade XLR output connects seamlessly to mixers, speakers, and audio interfaces, ensuring stable, balanced transmission with minimal interference.
Quick On-Mic Control
Adapt to Your Setup
To better suit your personal setup, both the PM-25 and PM-26 come in switch-equipped versions — the PM-25S and PM-26S. These are great when you need quick on-mic control, like muting during rehearsals, handling multiple performers, or in fixed setups without easy access to a mixer.
Recording Studio
High fidelity and clarity that bring every detail of your voice to life.
Stage Performance
Clear, loud sound that makes your voice stand out in the crowd.
Full Accessory Set
Completely Ready to Go
Customers praised this dynamic cardioid vocal mic for exceptional sound quality rivaling premium brands at half the price. "Sounds better than most $100-$200 mics," noted one reviewer. Features include metal construction, on/off switch, and included cable. Some noted slight treble emphasis and mic clip issues.
- Sounds better than most $100-$200 mics. It's crazy good for the price.
Brilliant microphone, especially for the price. Today this mic is less than $50. In my opinion it is better than a Shure SM58, and it even comes with a 5M 16ft cable and a zippered pouch. What? For that price, it's crazy good. Keep in mind, it's not comparable to a Neuman LDC or anything like that. It's a $50 mic that sounds better than most $100-$200 mics, if you use it for the correct sources. I've tried it on many sources, guitar cabs, vocals, snare and even kick. It really did well in each scenario. It's a beast. It's not light, it's a heavy mic with metal build quality. The cable isn't the greatest but it's very much usable. Especially considering it's a XLR, so it's balanced connection. This allows for active rejection of noise over the cable. With this in mind, I'm getting very good clean signal with the included cable. Good stuff.Overall, this thing kicks! If you are just starting out or you are a DJ or even for live internet streaming, this is a very workable microphone. You can get 2-4 for the price of another comparable microphone. Yeah. It's that good. Especially when you look at that price. Winning!This model the PM-25S includes an on/off switch. The Phenyx Pro PM-25 does not include a switch. Order the one you need based on which model is a better fit for your needs. I prefer the switch, since I need to control things myself. Not as much of a risk of accidently turning the mic off. That said, for a band, you may want the model without a switch so the performers can't cut the mic off accidently. Just wanted to add that info for anyone who may need it.
While I’m not a microphone expert, I do work a lot with audio and lighting for a local theatre group, so I can claim several years of hands-on experience. I posted a photo of the Phenyx next to a popular well-known mainstream brand just for visual comparison.The tactical feel and quality of construction is on par with the mainstream mic. The mainstream mic does not offer the on/off button - although admittedly with lots of use, that may become a point of failure years down the road.I connected each of these to my amplified 240w JBL 310 speakers and found that the mainstream mic required about 80% gain to get to a sweet spot where I could work with the mic and speaker volumes. The Phenyx only required 50% gain and sounded every bit as good - maybe even a little more crisp.I like that they provided a 16 foot good quality XLR cable. I would have liked to have had a 1/4” adapter as well…or maybe the option to buy it with an XLR or a 1/4” cable.Overall great quality of the mic construction and good value for the money. I like that they provided a carrying pouch big enough for the mic and the cable (not quite enough room for the mic stand receiver - but that would normally be on the mic stand anyway.
First impressions matter, and my first impression of this mic was positive. It comes with a mic clip and cable, and a neat little faux leather bag for storage. And a brand sticker; I suspect the manufacturer is looking to leverage their way out of their current price range and into a place of higher brand recognition.And my next impression is, they're probably going to succeed. The sound quality is perfectly fine, the frequency response like that of an SM-57. My voice sounded as clear as it ever does. Note that it really is a vocal mic, with an on/off switch, probably best suited for small venue live performances.I've tried a few cheaper mics before that were of a similar quality, but most cheaper ones are also noticeably cheaper in quality. I can't speak to its durability, but it feels well-made and it has a bit of heft to it.
Great fit was compatible and sound quality was good
I have used tons of mics and I have to say this mic sounds clean and picks up really well great quality and nice included cable clip and pack...
I'm judging this Phenyx Pro PM-25S against my current mics which include an SM-58 which looks remarkably like this Phenyx one. There was a little handling noise but then only when turned up which rarely we do in any case. Besides, most of us are nearly always using mic stands. The PM-25S (the S stands for on/off switch) and so, if that's not important to you, then you can save a couple of pounds buying instead the PM-25.It has nice, richer sound which is clear when speaking directly into the mic head. It is a Cardioid mic which cuts out the sounds around exceedingly well. It has a good weight if you are going to hold it, something which gives reassurance to the singer in my opinion. The mic case seemed very cheap and unnecessarily large and the supplied xlr cable was superfluous as I'd much rather use our higher end cables which we have relied on for years.That aside, I suppose it was felt that these things were needed to sell to the karaoke market but this mic is definitely good enough to stand on its own at this price point (currently at review date ￡47.99).